StoryCorps, the initiative that helps give people the opportunity to record, share, and preserve their own personal stories, has been around since 2003. What started out as just an idea and experiment from founder Dave Isay turned into an American success, and it’s now a global project. Isay is the winner of the 2015 Ted Prize, and with the funding from the million-dollar award, he and the StoryCorps team have launched the new StoryCorps app.

A week after the app launched, I got the chance to talk with Isay on Skype about StoryCorps, its app, and what it means for the future of the oral history project. Below is our edited conversation with some audio clips.

Q&A

Dave Isay, founder of StoryCorps, accepts the 2015 Ted Prize and announces his Ted Prize wish -- a StoryCorps app. Screenshot courtesy of Ted.com.

Sonia Paul: Dave, could you please just introduce yourself and StoryCorps a bit more, for people who might not know much about it?

Dave Isay: Sure. I’d been in public radio for many, many, many years and used to make documentaries for NPR. But I was always an independent journalist, and then had this idea about a dozen years ago to start StoryCorps. I did all social justice documentaries, and saw when I did these documentaries that people who felt like they hadn’t been listened to before, that the act of being interviewed could be an important moment in their lives, sometimes a transformative moment in their lives. I could literally see people’s backs straighten when they’d be listened to for the first time, whether it was in a prison, or psychiatric hospital, or wherever it was.

So I had this crazy idea twelve years ago to start this project that kind of, in a way, turns documentary on its head, at least broadcast documentary. And it says that the purpose of what we’re doing is not about the final product. It’s not about doing interviews to create the final product; the purpose is the interviews themselves.

I wanted to give many, many, many people the chance to be listened to in this way. So I put a booth in Grand Central Terminal where two people can come, and they’re met by a trained facilitator. You sit in basically a soundproof booth for forty minutes. And you have a conversation. And a lot of people think of it as, “If I had forty minutes left to live, what would I say to this person, or ask of this person who means so much to me?” So very intense conversations.

Photo by Renée Johnson on Flickr and used here with Creative Commons license.

At the end of the interview, you get a copy. And another copy stays with us and goes to the American Folklore Center at the Library of Congress. So your great-great-great grandkids can somehow get to know your grandmother through her voice and stories.

So it was a kind of crazy idea that took a little while to take off. But it worked, and we’ve now recorded about 65,000 interviews, with about 100,000 to 110,000 people. Most people come in pairs, across America, all fifty states, thousands of cities and towns, in eighty different languages.

It also turned out that there was pretty amazing content coming out of these interviews. So we also have broadcasts on NPR every Friday, and we’ve done animations for PBS. We have a couple of dozen of those, and we have books that have come out, all of which just celebrate the poetry and wisdom and beauty in the words of everyday people all around us. And it’s a project about listening, and helping us recognize our shared humanity — that if we spend a little more time listening to each other and a little less time shouting at each other, we’d be a better and stronger country. So it very much speaks to the core values of public broadcasting.

Here’s an example of one of a StoryCorps animation: “Danny and Annie,” a married couple who recount their twenty-seven-year romance, from their first date to Danny’s final days with terminal cancer.

Dave Isay: And then a couple of months ago, I got word of this Ted Prize. Ted is the amazing organization that has the conferences and does these videos that everybody knows about. I had actually never even seen a Ted Talk. I was the last person in the universe, when they called me and told me I had been nominated for this thing. But I’ve since seen a bunch, and they asked me to come up with a wish for humanity, which I did, and then got a call a few weeks later which said that I’d won, and then a couple of weeks ago gave a Ted Talk where we announced what that wish was. And we’ve created an app that takes StoryCorps out of the booth and gives anybody, anywhere, the chance to record a StoryCorps interview. It’s basically a digital facilitator that walks through the StoryCorps process, and then with one tap you can upload your interview to the Library of Congress. So that’s a very, very long answer, from Brooklyn to India, to your question!

Sonia Paul: Ok, thank you. And so, just to make sure we’re understanding correctly, has StoryCorps always worked with the booth setup, in that two people or more duck into the booth to do the interview?

Dave Isay: Yes, well they don’t duck into a booth. Because now it’s very hard to get an appointment. You know, you make a reservation. And you come into the booth, and you record the interview with the help of a facilitator. We also do these in quiet rooms around the country.

What changes with the app is that the app becomes the facilitator. So that allows us to do many, many more interviews, and you don’t have to come to StoryCorps, you don’t have to make a reservation. Anyone can do these interviews. And, you know, it’s an experiment just like StoryCorps was an experiment 11 years ago when we opened up. And we’re going to see — you know, we’ve seen, really, a tremendous response.

I don’t have the stats today, but it’s obviously growing very, very quickly. If you go on the site and see the interviews that are coming in from all over the world. And we’ll see what happens.

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Screenshots from the StoryCorps app. It walks you through the process of doing an interview.

Sonia Paul: Yeah, and so I was curious about this idea of the app becoming a digital facilitator. Do you think that having the other human being there in the beginning ever added to the experience in any way?

Dave Isay: Of course, yes! I mean, having the facilitator there was huge. But you can’t scale. You know, obviously our facilitators are paid; they’re highly trained. But, you know, we’re doing 5,000 interviews a year, 6,000 interviews a year. And that is the gold standard of the StoryCorps experience, and it always will be. But it was time to experiment and see if we could spread this wider and spread this to places where we couldn’t necessarily go with facilitators.

So again, it’s an experiment. And having a facilitator is great. We do our best to approximate the facilitator with the phone; we’ll see how it works. I’m very encouraged by the interviews that are coming in that, from what I’ve heard, and again, they’re coming in far more quickly than what I had expected, a week into it.

But people are being respectful, and they’re taking it seriously. You know, they’re not the same as StoryCorps interviews, but people are having the opportunity with this app to, you know, have meaningful conversations. And that’s what it’s all about.

Dave Isay expands on the differences between the app and the original StoryCorps experience:

Sonia Paul: And so what kind of hurdles are you anticipating in getting the app off the ground, if anything?

Dave Isay: My first hurdle was that I didn’t think anybody would use it. I mean, the technique is the easy part. When we started StoryCorps, no one actually came to the booth. And it took years before people understood what was going on, and we ended up kind of selling out the booth, and that was because of the public radio broadcasts. But, you know, there are stories coming in from all over the world every couple of minutes now. I did not expect this kind of pick up this quickly.

I’m not sure what’s going to happen with it [the app]. But I think what we need to do is we need to keep pushing out best practices to people, and encouraging them to do interviews that approximate the StoryCorps experience as closely as possible, and get the word out. And especially because StoryCorps was born out of a kind of social justice, documentary work to, make sure that people who feel like their voices are least heard know about this and have the opportunity to be heard through the app.

Sonia Paul: Right. Yeah, and I downloaded it, and I was looking through it. I mean, obviously not everyone in the world speaks the same language, but the default language for the app right now is English. So I was curious, how do you plan to make it available in other languages and work around issues of translation and interpretation?

Dave Isay: We’re going to translate it into other languages. I mean, this is all very new. But, you know, the app has been created in a way where we can swap other languages. Ted has a community of translators who are getting to work to start translating this thing, and we’ll have a plan and slowly roll it out, depending upon resources, in other languages, as time goes on.

Isay discusses a potential model for how StoryCorps could work in other countries:

Sonia Paul: So I have a question now that’s not directly related to StoryCorps, but it’s kind of related. Have you been paying attention to the emergence of these sort of live broadcasting tools like Meerkat and Periscope?

Dave Isay: Yeah, two weeks ago, yeah.

Sonia Paul: Yeah, so now people can essentially livestream their lives to the world. And now, with social media, putting a status update on Facebook or Twitter is pretty normal for a lot of people. And obviously, StoryCorps is very different from those things because the point has always been to preserve the art of that interview. But do you think we, as a society, are sort of heading in a direction in which people are becoming more accustomed to simply blasting out their lives more, rather than asking the kinds of questions to others that we need to ask in order to actually understand?

Dave Isay: Yeah, I don’t know. I mean, I do feel like StoryCorps is different. I mean, StoryCorps is an act of generosity. It’s about listening to another person. And it’s kind of the opposite of the selfie, right? And I do see there are some interviews where people are getting on and doing their own life story, and it seems to be helpful to them. I mean, I’m looking at what’s come in in the last couple of hours, and, you know, it’s mostly people talking to each other.

I do think that this is different. The stuff that I’m hearing — and I’m not a tech person, I am not that interested in a lot of tech stuff. But from what I’ve seen from social media and elsewhere, the kind of stuff happening on this app feels very different than what you see elsewhere.

Dave Isay and I discuss more the kinds of conversations StoryCorps produces. But should we need an app to do this?:

Sonia Paul: And if you happen to know, what countries are using the app?

Dave Isay: You know, you’d have to look. I don’t even — I can’t even recognize the languages. If you browse, it seems like a lot of them are in the U.S., from like, all kinds of different towns. It’s largely younger people who are using it.

But, you know there’s Arabic and there’s French, and you know, I don’t know. You’d have to check. And I haven’t had. And you know, it’s Monday morning, and we haven’t gotten the status yet of what’s happened over the weekend. But they’re clearly coming in from all over the world. And unfortunately, we don’t have geo-locate yet on this app, so I can’t easily tell you. But that’ll happen in a couple of weeks.

Sonia Paul: Right, and so, just to be clear, you’re using the funding from the Ted Prize to go forward with this app, that’s how you’re able to do it?

Dave Isay: Used.

Sonia Paul: Oh, right, used! But was the idea for the app something you had before the Ted Prize, though?

Dave Isay: Yeah, but it wasn’t going to happen. Doing something global and doing this app wasn’t going to happen in the next five years, until the Ted Prize came around. But you know, Ted is about digital, and it’s about global. So there was only one way to yes to work with them. And I’m glad. You know, it’s a great thing. It’s great to be pushed out of your comfort zone, and this was a real push. And it’s exciting to see where it’s going.

Here’s the full audio interview with Dave Isay:

Sonia Paul is a freelance journalist based in India, and is the editorial assistant at PBS MediaShift. She is on Twitter @sonipaul.

This piece originally published on April 7, 2015, on PBS MediaShift.

Given the amount of time some of us spend online, on social media and on messaging apps, the idea that technology can offer a source of comfort may seem obvious. The reverse might also be a no-brainer — that without technology, some people may feel isolated.

But what happens when you apply these understandings to the various circumstances surrounding human trafficking?

The lack of research on the relationship between technology and labor trafficking in particular pushed researchers at the Center for Communication Leadership & Policy at the University of Southern California’s Annenberg School for Communication & Journalism to examine this issue. The findings, recently released in a new report, have found that migrant workers — anyone who might leave their families and homes for an extended period of time for work — are more vulnerable to human trafficking, forced labor and exploitation when they are isolated from technology and social networks.

FOCUSING ON THE PHILIPPINES

An outdoor market beneath a subway station in Manila, the capital of the Philippines. Photo by Sonia Paul.

“There have been some studies on sex trafficking and technology, but almost nothing has been written on these issues as pertained to labor trafficking,” said Mark Latonero, the principal author of the study. And before the study began, much of the understanding on technology and labor trafficking came from different perceptions and narratives the researchers had been familiar with — but nothing with which they had concrete evidence to substantiate these claims.

“I’d heard many stories of cell phones being taken away form migrants, or them being disconnected from the Internet,” he told PBS MediaShift. “But in order to truly understand, we needed to understand what the migration process was like from a certain country’s perspective.”

The decision to focus on the Philippines came from the fact that it’s a huge source country for labor, with tens of millions of Filipinos traveling every year for work. According to the World Bank, the country received $25 billion in remittances in 2013.

The Philippines also had a key quality essential for the study — like other countries in southeast and east Asia, it’s extremely technologically saturated, and many Filipinos love to be on social media.

The report begins with this brief case study that encapsulates many of the concerns:

While interviewing survivors of labor trafficking for this report, researchers heard from a young woman in the Philippines who applied for domestic work in the Middle East. She recounted the way her friend, already working abroad, had called and sent texts of encouragement and eventually put her in touch with a recruiter. She was promised that her documents would be arranged with an employer before her flight to begin work. Upon her departure, the recruiter said that plans had changed. She was told her work papers and airline ticket would be issued in Malaysia. The woman was put on a boat and spent over a week crossing the Sulu Sea from one island to another. She was isolated. Her only means of communication was her mobile phone. Not wanting to worry her family (they had high hopes for her employment), she communicated only with her friend, asking for advice and reassurance. Even if she had been able to access the Internet, it is unclear whether she possessed the skills or knowledge to search for the appropriate online resources. Once in Malaysia, she was put into a van with others. While traveling to an unknown destination they were apprehended by police. Interrogated and imprisoned, the young woman managed to sneak her phone into jail and made one last call. Finally, the friend passed along word of her plight and the Philippine government intervened. After a month in prison she was repatriated and is currently in a rehabilitation shelter in Manila.

HORIZONTAL NETWORKS AND LIVING ONLINE

Photo by Flickr user downloadsource.fr and reused here with Creative Commons license.

Because so many of our interactions are shifting online, the space for horizontal networks — communications with different people along the same medium — to organically manifest is much easier now, Latonero said. People are keeping in touch with their friends, families and peers on social platforms like Facebook and Twitter. But these same communications could also take place with illegal recruiters or others with the potential to exploit workers — with the target person not even realizing the vulnerability.

“Technology can play an important role in both perpetuating and addressing labor trafficking,” said Ed Marcum, vice president of investments at Humanity United, a U.S.-based foundation. “Yet, little evidence-based research has been done on the relationship between the two.”

Navigating the full range of human behavior that appears online presents opportunities for both public and private sectors to help in the fight against labor trafficking, the researchers argue. By advocating for and ensuring that workers have free access to various technologies and social networks, researchers can also monitor something that might not ordinarily happen in the public eye.

“When something is online, we can actually see it. It’s visible,” Latonero told PBS MediaShift. “People are commenting on Facebook and message boards, and it’s giving us a sense of how someone is living abroad.”

With the evidence gathered from the report, the hope is to inform policy makers, Facebook, Google and other stakeholders to do something, Latonero said.

An example? “When the Philippines does a memo of understanding with Saudi Arabia [a top destination labor country], they ensure or specify that cell phones must not be taken away,” he said.

For more information on the report, check out the video below.

Sonia Paul is a freelance journalist based in India, and is the editorial assistant at PBS MediaShift. She is on Twitter @sonipaul.

This piece originally published on March 17, 2015, on PBS MediaShift.

 

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The young man waved his arm in the air, eager to be heard. In the crowded library on the second floor of Delhi’s American Center, the US embassy was hosting a talk on sexual harassment attended by dozens of Indian college students. It was five days shy of the two-year anniversary of the day on which a 23-year-old woman was gang-raped on a moving bus and left for dead, and less than a week since news had broken of an Uber taxi driver allegedly raping a 27-year-old passenger after she fell asleep in the back of his car.

Delhi’s reputation as the ‘rape capital of the world’ was again at the forefront of everybody’s minds. And many of those gathered had their own ideas about what was behind it, and what needed to be done to counter it.

“Man needs to understand the meaning of ‘no’,” the young man almost shouted into the microphone, before dismissing popular notions that high rape rates were the result of uneducated men migrating to India’s cities and seeking to assert sexual dominance over women they perceived as otherwise more powerful than them. “The problem is the patriarchy of the society,” he concluded, to applause from the audience.

Others also spoke up. One man sought to explain the prevalence of such attacks in the capital, attributing it to the existence of “late-night partying in Delhi which doesn’t happen in small towns.” A woman offered a deeper analysis. “The fault lies in the upbringing,” she said, close to tears. “We are always taught that girls are inferior to boys.”

When one of those present called out that she even felt uncomfortable with the stares and comments from young men at the Center, others clapped in acknowledgement. But the discussion quickly became an argument, and when the moderator intervened, the meeting came to an amicable, if inconclusive, close.

After the talk, I asked a few of the students what measures they took to protect themselves. Some contemplated taking a self-defence class, but none had actually done so. When questioned as to whether they would carry a gun – perhaps the revolver specifically created for women and named after the moniker Nirbhaya, or fearless one, given to the 2012 gang rape victim – the response was a combination of interest and bemusement. Most of them had never heard of the Nirbheek revolver, despite the fact that it made international headlines when it was first launched last year.

‘Any gun is treated as a masculine object’

The 525-gram, 0.32 calibre titanium black revolver comes encased in the type of plush velvet box more commonly associated with fine jewellery. Marketed as appropriate for women because of its light weight – the revolver it’s modelled on weighs 750 grams –, it came onto the market at a time when rape and sexual abuse, coupled with underlying problems of gender discrimination and patriarchy, have become part of the country’s national conversation.

But it was widely derided for what many perceived as the preposterous idea of guns promoting safety. And its cost – 122,365 rupees, or upwards of $2,000 – was ridiculed as unaffordable for its apparent target market: working women who use public transportation. The fact that the price has since risen – a result of an increase in the cost of the materials needed to make it – has further compounded this argument.

After the initial fervour surrounding its announcement, however, little has been mentioned of the gun. A year on, what are we to make of the Nirbheek revolver? What has it meant for Indian women?

That is how I found myself at the Field Gun Factory in Kanpur, a city in the northern state of Uttar Pradesh that is a roughly seven-hour drive from Delhi. It is where the revolver is manufactured and sold – and where a team of six male managers told me that the revolver was never intended to be linked with Nirbhaya. The research into the product began before her case grabbed the nation’s attention, they said, and it was the media that made the connection, just as they first coined the name Nirbhaya.

Although Indian media had reported that Delhi police received 1,200 calls from women inquiring about how they could obtain a gun license, and more than 200 applications from females for such in just the two weeks following the Nirbhaya case, the Nirbheek’s sales figures pale in comparison. As of February 25, 2015, exactly 11 months after the first Nirbheek was sold, only 345 more Nirbheek revolvers have found homes. And just 24 of them, or seven percent, were issued in women’s names.

It’s estimated there are about 40 million privately-owned firearms in India, held both legally and illegally, making it the second highest number in the world after the U.S. The large number is in part due to India’s enormous population; there are about three guns for every 100 people.

Seated in a conference room within the estate that houses the Field Gun Factory, the managers explained that they were aware that only a select class of people would be able to purchase the Nirbheek revolver. Its sales figures, therefore, do not come as a surprise to them.

“Still, any sort of gun is treated as a masculine object,” explained Dinesh Singh, one of the managers. And what was intended to make the revolver attractive to women – its light weight and ornamental box – also appeals to the main purchasers of guns in India, he said: men.

Another manager described the difficulties in obtaining a gun license, which can often be a drawn out process and, like so many bureaucratic procedures in India, prone to corruption. The result, suggested Vijay Mittal, one of the managers, is that some men prefer to apply in the name of their wife — because they believe this is more likely to be successful.

‘It’s the consensual relationships people worry about’

In the aftermath of the Uber case in December, Rukmini Shrinivasan, a journalist and data reporter with India’s daily newspaper The Hindu, wrote an op-ed comparing the reality versus the rhetoric of rape in India. Gathering statistics collected by the United Nations Office on Drugs and Crime on the number of reported rapes around the world in 2012, she found that India ranked 85 out of 121 countries. Analyzing data gathered by UN Women, the United Nations Entity for Gender Equality and the Empowerment of Women, she found that ten percent of women in India reported sexual violence perpetrated by their husbands, a figure that ranked India 43 out of 86 countries.

Naturally, she noted that rates of unreported sexual assault are likely to be high in a country where the stigma surrounding rape is great and marital rape isn’t even considered a crime. But her conclusions pointed toward a different story.

“Both sets of statistics together place India towards the middle to lower end of the global scale of sexual violence. Yet, for the last two years, the rhetoric around rape in India has not reflected this,” Shrinivasan wrote. “However, this statistically faulty focus on rape has led to both a misdiagnosis and a worsening of India’s real problem when it comes to women: autonomy.”

Sameera Khan, the co-author of the book Why Loiter?: Women and Risk on Mumbai Streets, expanded upon these sentiments. In a conversation outside her office at the Tata Institute of Social Sciences in Mumbai, where she teaches journalism and media studies, she explained that the concern about women’s safety in India is intricately intertwined with the unspoken worry about their independent decision-making.

“It’s not just a concern for our girls being sexually assaulted by a stranger in a non-consensual way,” she said. “It’s also the consensual relationships that a woman will form when she accesses public spaces and gets access to the world outside her home. The worry is that a woman going out for higher education, or for work, or just to hang out will make the wrong kind of choices and perhaps form consensual relationships with a man of the wrong type – of the wrong caste, class or religious background.”

Rahul Srivastava, the deputy superintendent of police and security in Lucknow, the capital of India’s largest state, Uttar Pradesh, agreed that policing women is part of the Indian psyche, and said he isn’t surprised that more women aren’t buying the gun.

“Things are changing in metro cities, no doubt,” he said. “But most Indian women have never been taught to take decisions on their own, or defend themselves. A gun involves a very precise, calculated decision.”

Usha Vishwakarma, the founder of the Lucknow-based women’s self-defence group Red Brigade, echoed that view. She argued that the most important thing about any kind of self-defence is that it originates not just in the body, but also in the mind.

“In my opinion, any person who owns that revolver and doesn’t have a clarity of mind or confidence…,” she said, pausing to point her left index finger to her eye to indicate the kind of self-assurance she was referring to, “that revolver will become like a bomb”.

‘Everyone knows I have a gun’

In her 2013 book Girls With Guns Firearms, Feminism, and Militarism, France Winddance Twine, a sociology professor at the University of California, Santa Barbara, argues that guns are “polysemic”. “They have multiple and competing meanings depending upon the context in which they are used,” she writes.

Although sociological research in the US does not support the claim that guns make women safer, she explained that different audiences view guns differently depending on their own histories.

“There is a group of women who purchase guns because they view it as right,” she told me. “It’s not so much that they want to defend themselves, but that it’s almost a badge of citizenship.”

But that an object men are socialised to embrace might be placed into female hands to use in self-defence makes little sense to some observers, including Binalakshmi Nepram, the founder of the Manipur Women’s Gun Survivors Network, named after the small state in east India.

“It’s not to provide women’s safety and security. It’s a means of using the emotions of women to use weapons,” she said.

Yet it seems the narrative on Nirbheek is in the eye of the beholder. Seema Kharbanda, the 52-year-old housewife who was the first person to buy one, has no qualms about owning the revolver. In fact, it’s her second gun.

She lives in a middle class neighbourhood in east Delhi with her husband Om, their two sons, a daughter-in-law and their baby granddaughter. When I mentioned their family name to a man on the street in the hope that he could help me locate their home, the neighbour repeated the name back to me along with Om’s phone number, which he had memorised. The family is known in this neighbourhood.

Their white, three-story home has a surveillance camera out front and stylish decor inside. Family photos occupy tables and bookshelves. Om showed me newspaper cuttings of reports about Seema and her gun, and boasted of how she fired it for hours on end at a shooting range. “She was wet with perspiration,” he said, smiling.

Like his wife, Om is a gun enthusiast. He’s had his license for 25 years, and got it in part because he feels his profile as a businessman involved in local Delhi politics makes him a potential target. “Everyone knows me,” he said.

Om continued talking after Seema entered the room, though her presence occupied more space than his words. Dressed in a silk salwar kameez and wearing diamonds on her wrist, nose and earlobes, she joked: “I am wearing so much jewellery; of course I have to carry a gun.”

She told me that she became interested in the Nirbheek revolver when she discovered how lightweight it is in comparison to the revolver she already owned, which she originally purchased to match up with her pistol and rifle-owning husband. She doesn’t always carry a weapon when she goes out, but doing so seemed easier with Nirbheek.

“I can just put it in my bag like this,” she said, demonstrating with her large, metallic purse. “When I have it in my bag, then my mind switches on. ‘I have it’.”

But the real benefit for her stems more from the reputation it builds. “Everyone knows I have a gun,” she said. Its function is more to deter an attack than to defend in the instance of one.

“I don’t even need it for criminals; just for myself,” she elaborated.

As we talked, her daughter-in-law brought in the newest member of the family, and the grandmother set about cooing and cradling the baby to sleep. Pondering whether the gun had increased her sense of confidence or her safety, she concluded with a smile: “Both.”

This piece originally published in March 2015 on the Al Jazeera English Magazine app’s womens’ issue, “What Women Want.”

It’s the old news adage that continues to dominate the priorities of American newsrooms: “If it bleeds, it leads.” Hard news and tragedies tend to dominate headlines, and we rarely see the other side of the coin — what happens after the fact?

While niche news outlets like Upworthy and the Solutions Journalism Network have made producing and sharing more positive news part of their missions, the non-profit Images and Voices of Hope (IVOH)  hopes to help more mainstream news organizations do the same thing — through a “Restorative Narratives” fellowship program. The program aims to enable journalists to pursue these stories of resilience and have them published at their home news organizations.

The fellowship launched last December. The five fellows work at different outlets across the country and were invited to join the program to test it out in its first year.

“These are stories that need to be told but often come out overlooked,” Mallary Tenore, IVOH’s managing director, told PBS MediaShift.

WHAT MAKES A ‘RESTORATIVE NARRATIVE’?

Screenshot of the Newtown Bee, whose story during the 2012 Sandy Hook shootings helped inspire the idea for a restorative narrative fellowship.

The staff behind IVOH got the idea for building a momentum around this kind of storytelling genre from a New Yorker article detailing how the community newspaper The Newtown Bee reacted to the 2012 Sandy Hook Elementary School massacre in Newtown, Conn.

“The shootings caused him [the editor] to rethink the purpose of his paper,” Tenore said. “He wanted the paper to be a place where people could find a community of support.”

Bringing these stories of restoration — of the rebuilding, survival and resiliency following a tragedy — isn’t necessarily new to journalism, she said. It’s just that often, these stories haven’t always been given a good name, nor have they been the priorities in newsrooms. That might be because of the pressure newsrooms face to chase stories that will attract the right numbers of clicks and engagement or, it might be that some journalists might fear judgement for pursuing “advocacy journalism.”

“I think it’s easy to lump it all together under ‘positive news.’ That term would probably make a lot of journalists cringe,” Tenore said.

‘SORT OF LIKE THE SECOND HALF’

But documenting the resilience and restoration after a tragedy is not meant to put a one-dimensional face on these types of stories. And not every story details “restoration” either.

“Some stories aren’t restorative narratives,” Tenore told MediaShift. “You never want to assume that every tragedy is going to yield a story of resilience, and you don’t want to force it.”

Jake Harper, a healthcare reporter and programmer at WFYI in Indianapolis and one of the five fellows of IVOH’s inaugural six-month fellowship, said restorative narratives often fill in the missing pieces of a puzzle when it comes to understanding a story from start to finish.

“It’s sort of like the second half,” he told PBS MediaShift. “So you have a tragedy, or a negative event. You hear about the first part, but you don’t necessarily hear about the recovery.”

HOW CAN WE GET AUDIENCES AND NEWSROOMS INTERESTED IN THE RECOVERY?

Photo by Flickr user Charles William Pelletier and reused here with Creative Commons license.

Arianna Huffington recently made headlines when she announced that the Huffington Post would be partnering with the USC Annenberg School for Communication and Journalism to deliver more solutions-oriented journalism on the nearly 10-year-old news website.

“As journalists, our job is to give our audience an accurate picture — and that means the full picture — of what’s going on in the world,” she wrote in a blog post about the new initiative. “Just showing tragedy, violence, mayhem — focusing on what’s broken and what’s not working — misses too much of what is happening all around us. What about how people are responding to these challenges, how they’re coming together, even in the midst of violence, poverty and loss? And what about all the other stories of innovation, creativity, ingenuity, compassion and grace? If we in the media only show the dark side, we’re failing at our jobs.”

That strategy is along the lines of IVOH’s purpose with the Restorative Narrative fellowship, Tenore wrote in a blog post. But trying to monetize these stories outside of partnerships like the Huffington Post one is a bit trickier. IVOH, for example, offered each of the fellows this year a $2,500 stipend from the organization’s existing funds to work on their projects. The fellowship also sets out to explore best practices for telling these stories and and different curriculum and training methods.

That each of the fellows already had funding to pursue these restorative stories from an individual entity probably made it easier for editors to jump on board with the project, Harper told MediaShift. His editors at WFYI, for instance, hired him knowing that he had received the fellowship and were excited for it, he said. But it was a different ballgame before joining the newsroom and partnering with IVOH.

“At the time I was a freelancer, and pursuing stories like that — it was a lot of effort to even find them, and then pitching them was another story,” Harper said. “I think it’s just the ‘if it bleeds, it leads’ mentality is sort of pervasive, and it’s hard to get attention and readership to those [other] stories.”

Photo by  Rocío Lara on Flickr and used here with Creative Commons license.

IVOH, meanwhile, launched a crowdfunding campaign on Indiegogo in December to raise funds and build awareness and momentum around the fellowship. While the campaign fell short of its goal of raising $25,000 — it raised $18,396 — Tenore said it definitely helped generate a positive buzz around the fellowship and the emergence of the genre. But she also found herself wondering how to make it sustainable.

“The question I found myself asking was: How do you move people along the spectrum from sharing, to caring, to giving?” she wrote in a follow-up email to MediaShift. “I found that it was easier to get people to share the link to our campaign and care about it. Helping them see why they should give/donate required a lot more time and dedication.”

IVOH’s inaugural fellows will present their restorative narrative stories at IVOH’s annual media summit in June, which is currently open for registration. For an example of the restorative narrative genre, check out the stories from Ben Montgomery (one of the fellows) in the Tampa Bay Times.

Sonia Paul is a freelance journalist based in India, and is the editorial assistant at PBS MediaShift. She is on Twitter @sonipaul.

Correction: This story has been altered to correct Ben Montgomery’s last name. 

This piece originally published on February 23, 2015, on PBS MediaShift.

The International Women’s Media Foundation has announced an unprecedented new set of funding opportunities for women journalists starting this year. The Washington D.C.-based organization dedicated to supporting the role of female journalists worldwide received a total of $10 million in grant funding from the Howard G. Buffett Foundation, which opens up the scope of their current offerings.

Half of the funding is dedicating to expanding IWMF’s existing international reporting trips in Africa’s Great Lakes region — in the Central African Republic, Rwanda, South Sudan, Tanzania and Uganda — and to conduct security training for both local and international journalists. The training will include both hostile environment training and the use of a mobile app called Reporta, to help in gathering and tracking information on violence and threats against journalists.

“That’s one side of the grant through which we hope to change the narrative of the Great Lakes region,” IWMF Executive Director Elisa Lees Muñoz told PBS MediaShift.

A portrait of 16-year-old Yusra Suleiman al Toum Ahmed in El Fasher, Sudan. Ms. Ahmed is an aspiring journalist. Photo by Albert Gonzalez Farran for the United Nations and reused here with Creative Commons license.

The other half of the funding will go toward establishing a fund in the name of the Howard G. Buffett Foundation, which would offer grants of up to $230,000 a year for the next 10 years. The funds would be distributed on a quarterly basis, and the criteria for funding has been purposefully left wide open. It could go toward anything from a book project to an investigate proposal, Muñoz said.

“Really, we haven’t defined the guidelines beyond saying it’s for women journalists looking to advance their careers in some way,” she told MediaShift. “It’s really going to be the basis of them telling us their needs and why they want to do what they want to do.”

COURAGE IN PHOTOJOURNALISM AWARD

Munoz

IWMF is also creating a Courage in Photojournalism Award with a $1 million grant from the Howard G. Buffett Foundation in the name of AP photographer Anja Niedringhaus, who was killed on assignment in Afghanistan last year.

The IWMF is celebrating its 25th anniversary year in 2015. Especially with press freedom issues becoming even graver, Muñoz said it’s necessary to continue to support women, especially freelancers who might not operate under the support of a traditional news organization.

“We focus on women because we don’t feel there is an organization that does so, and as a result, women might fall through the cracks,” she said. “The investment made by the Howard Buffet Foundation to IWMF, and the true partnership to try to elevate the voices of women around the world is really going to make a difference.”

The first round of applications for the open-ended grants will take place from March 2 to March 23. More information is available on the IWMF website.

Sonia Paul is a freelance journalist based in India, and is the editorial assistant for PBS MediaShift. She’s on Twitter @sonipaul.

This piece originally published on February 9, 2015, on PBS MediaShift.

A handful of men sat huddled on wooden benches inside a shop in Lucknow, the capital of the northern Indian state of Uttar Pradesh, drinking from diminutive bottles of a variety of alcohol manufactured nearby. The government-licensed outlet is a “theka desi sharab” — an Indian liquor store that sells indigenous booze, which is distinguished and sold apart from “foreign alcohol” such as whiskey, vodka, or rum.

“English liquor is strictly forbidden here,” read a sign on the wall in Hindi.

Rajesh Jaiswal runs a lunchroom inside the shop. He gestured to a bottle of liquor available for 65 rupees, or about $1, as one of the employees squatted on the floor to clean a freshly butchered chicken.

“Rich men are restaurant-types, and educated,” he told VICE News, smiling. “This is for the poor man.”

He was quick to note that the hooch in question was not to be confused with the tainted Indian moonshine that prompted a health scare earlier this week, when some 200 people in the area fell seriously ill after ingesting it on Sunday. The death toll had climbed to 41 by Friday.

A shopkeeper displays a bottle of legitimate Indian-distilled “country liquor.”

“This is the best brand,” Jaiswal offered reassuringly. It was indigenous “country liquor” — made from raw materials like sugarcane, rice, or coarse grains — but clearly labeled. “In the villages they have no licenses,” he said, referring to manufacturers of bootleg liquor, adding that their products are “made with excessive alcohol.”

The recent poisoning highlights a long-running problem within India, where unregulated moonshine is widely consumed. Almost 170 people died in southern India from drinking toxic rotgut in 2008, with another hundred-plus in the state of Gujarat perishing for the same reason the following year. Such reports are distressingly frequent: more than 120 people died from tainted alcohol in West Bengal state in 2011, and Uttar Pradesh saw dozens of drinking casualties in 2013, with some victims going blind.

‘They consider the liquor that works the quickest to be the best.’

Under Indian law, only authorized distilleries can produce beer, Western-style distilled beverages, and country liquor. Because the latter is significantly cheaper to make, it is particularly appealing to poor Indians who want a drink. Illicit alcohol produced without the proper licensing, materials, or supervision is even cheaper — the bootleg liquor behind the recent tragedy was sold in packets for 20 rupees (about 30 cents) each.

Watchdogs and analysts charge that local corruption sustains a booming moonshine industry, which essentially operates in the open despite its illegality. In exchange for bribes, police and excise authorities turn a blind eye to the activities of bootleg liquor barons.

“Without all their ignorance, nothing is possible,” Surendra Rajput, a political and social analyst based in Lucknow, told VICE News. “They all know the small-time dealers and manufacturers.”

An Indian policeman displays packets of illegal bootleg liquor seized from a village southeast of Lucknow. (Photo via AP/Rajesh Kumar Singh)

A typical variety of moonshine in northern India might be fermented from molasses or mahua, a type of flower, and spiked with additives like ammonium chloride, lye, or even battery acid to increase strength or speed fermentation.

“When they want to increase the alcohol content and potency, they might add sedatives, urea, oxytocin, or methyl alcohol,” Rajput said.

These materials are widely accessible in India despite their danger to humans. Urea, a nitrogen-containing compound in urine, is the most common fertilizer in rural areas. The hormone oxytocin, which is misused to spur milk production in cows and buffalo, is readily found in local markets despite being banned. Methyl alcohol, or methanol, is used in industrial products like antifreeze and fuel.

Bhasker Tripathi, a reporter with the rural newspaper Gaon Connection who has seen these rustic distilleries, believes that the lethality of their spurious liquor might sometimes result from a confusion between highly toxic methanol and ethyl alcohol, or ethanol, which is typical of alcoholic beverages. But village distillers might also include methanol because it’s cheaper than ethanol — and because it gives the beverage more of a punch.

“They consider the liquor that works the quickest to be the best,” Tripathi told VICE News. Poor villagers have little to spend, he said, “and they just need a liquid to help them forget all their miseries.”

Despite the series of deaths over the years, most of the people who purchase this liquor have little knowledge that what they are buying might essentially be poison, said Dr. Kauser Usman, head of the trauma center at King George’s Medical University in Lucknow, where the most severely affected victims in this latest incident were brought.

“A lot of them are quite used to drinking this alcohol,” he told VICE News, referring to methanol varieties. “They can’t afford ethyl-based alcohol.”

Large numbers of deaths have a knack for prompting regional governments to action, and local administrators have responded quickly to the recent poisoning. The chief minister of Uttar Pradesh suspended several excise officers for their lack of oversight, and ordered an investigation. The manufacturer of the moonshine, who locals say had a known history in the business,was promptly arrested.

Debashish Panda, the principal home secretary for Uttar Pradesh, told VICE News that police had as of Thursday raided 12,500 sites, seized 76,000 liters of illicit liquor, and arrested 2,900 people. “We are trying to crack down through the police,” he said.

But similar flurries of activity followed other mass poisonings with little impact on the viability of bootleg liquor. Locals opined to VICE News that the fact that police officers were able to seize so much liquor and raid so many places within the last few days probably reflects their foreknowledge of the illicit distilling rather than investigative prowess.

Devastated relatives of the deceased have burned down the distillery that produced and sold the illicit liquor. A young man also attempted to set himself on fire in front of the chief minister’s office on Wednesday, charging the state government’s negligence for being responsible for the tragedy, and demanding its removal.

Meanwhile, some victims who survived the poisoning face a magnitude of health concerns, including paralysis and permanent blindness.

“The tragedy with such victims is that they hardly get public sympathy,” said Sudhir Panwar, a member of the Uttar Pradesh state planning commission and president of Kisan Jagriti Manch, a group that negotiates with the government on farmer-related issues. “Officials crack down because it’s in the news. Afterwards, nobody cares.”

Follow Sonia Paul on Twitter: @sonipaul

This piece originally published on January 17, 2015, on Vice News.

Twitter and Facebook have become default resources for journalists, newsrooms and ordinary citizens during news events, but where does Instagram fit into that picture? That was the question a team of researchers at CUNY’s Graduate Center asked while watching the protests in Ukraine unfold this past February. After months of analyzing more than 13,000 Instagram photos shared by around 6,000 people in the central square of Ukraine — known as the Maidan — the team has recently released the study “The Exceptional & the Everyday: 144 Hours in Ukraine.” It’s the first project to analyze the use of Instagram during a social upheaval.

Instagram is known as the visual social network, but according to Lev Manovich, a computer scientist and the lead researcher for the project, it’s much more of a “communication medium.” Whereas newsrooms might scour Instagram for photos to showcase breaking news, the study found that ordinary Instagram users detail how they’re relating to news as well — which may be just as important.

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The Supreme Court just granted legal recognition to transgender people, but India’s LGBTs won’t come out of the closet.

LUCKNOW, India — On April 15, India’s Supreme Court issued a landmark ruling allowing transgender people to identify as a third gender. The judgment directs the central and state governments to give them full legal recognition, including allotting them similar educational and job quotas as other minorities categorized as socially or economically disadvantaged. To date, transgender Indians — also known as hijras — were forced to select either “male” or “female” on all government forms and routinely faced ostracization due to their gender identity.

While gay rights activists and the LGBT community welcomed the decision, it flies in the face of a December 2013 Supreme Court ruling that recriminalized homosexuality. That ruling — which was criticized by two out of the three national parties contesting India’s general elections, currently underway — overturned a 2009 high court judgment that declared Section 377 of the Indian penal code unconstitutional. The British colonial law, dating back more than 150 years, criminalized sexual activities “against the order of nature” and had long been used to harass gay people.

The 2009 ruling was a watershed moment for gay rights in India. Openly gay-friendly bars and cafés opened across the country, Bollywood movies began featuring gay characters, and homosexuality began to be more accepted in the big cities. The following year, Delhi’s Queer Pride Parade attracted roughly 2,000 people — four times the number it did in 2008. The Supreme Court’s 2013 reversal drew criticism from HIV/AIDS groups, human rights campaigners, media icons and Indian politicians. Around the world, gay rights supporters organized a Global Day of Rage in more than 30 cities in protest.

Now there’s a strange tension between the two Supreme Court rulings: On one hand, transgender people have legal recognition; on the other, they may still be arrested for engaging in gay sex.

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In the days since the United States arrested Indian diplomat Devyani Khobragade, 39, for allegedly lying on her Indian housekeeper’s visa application, underpaying and forcing her to work longer hours than specified, the case has made a splash in both the US and India, whose media are covering the incident with very different emphases. In India, initial coverage focused on US mistreatment of a senior diplomat, while American media spilled more ink over the allegation that Khobragade was underpaying her maid. Subsequent Indian coverage, though, took up this theme, leading to some soul-searching about inequality in the country, which has an entrenched tradition of low-paid domestic help.

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Haunted by insecurity, relief camps for victims of communal riots in Uttar Pradesh witness spate of mass weddings.

Some 300 marriages are said to have taken place in the relief camps in Uttar Pradesh since the deadly riots [Yogesh Tiyagi, September 25]
Some 300 marriages are said to have taken place in the relief camps in Uttar Pradesh since the deadly riots [Yogesh Tiyagi, September 25]
The setting was unusual for marital bliss, but it was no deterrent for the dozen-odd couples who tied the knot last week in a mass wedding at a relief camp for riot victims in Muzaffarnagar.

Having fled communal violence that recently swept parts of the northern Indian state of Uttar Pradesh and left scores dead and thousands homeless, the newly married couples of Malakpur relief camp held hands together and vowed to make a fresh beginning.

Mass weddings are not uncommon in India, where community and religious leaders sometimes host them for poorer communities to help ease their financial burden.

But a spurt of mass weddings at relief camps sheltering thousands displaced by the riots is evoking contrasting emotions. Some hail them as efforts to rebuild lives. Local authorities, however, see them as unnecessary distractions.

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